Sage green silk fabric for my gown: Sewing Journal
When the fabric sample arrived, it seemed a perfect complement to the sage green silk hat that I trimmed last summer with pearls and cream ribbon.
Historical Sewing and Time Travels
When the fabric sample arrived, it seemed a perfect complement to the sage green silk hat that I trimmed last summer with pearls and cream ribbon.
When I told the tailor that I messed up the new frock coat I sewed for my son from a drafted pattern in Costume-Close Up, he asked what I was talking about.
Then I looked at frock coats in Costume Close-up: Clothing Construction and Pattern 1750-11790, written by Colonial Williamsburg’s Linda Baumgartner.
Making the class more fun, tavern owners Jane Vobe, Christiana Campbell, and her daughter. Molly, also attended, while bantering tavern humor.
The Costume Design Center taught us historically accurate stomacher embellishments for 18th century gowns, in this seventh class of nine in the series.
I got to bring my 18th century sewing projects to an individual consultation with the Costume Design Center staff to ask questions. How cool is that?
During Drummer’s Call weekend, my daughter and I took a class with the Colonial Williamsburg Costume Design Center on trimming hats.
Our class began with the history of this passementerie, followed by gorgeous examples of fifteen intricate variations. Then we made our own fly fringe by hand!
We took an 18th century sewing class on market wallets, work bags, and pockets for the 75th anniversary of the Colonial Williamsburg Costume Design Center.
The Colonial Williamsburg Costume Design Center taught us how to make Dorset and Death Head thread buttons in our 18th century sewing class.