Sewing 18th Century Pudding Cap for our Youngest Sweetheart
When my son asked me to sew an 18th century pudding cap for for his not quite a toddler daughter, since she’s always hitting her head, I gave it my best shot.
18th Century Virginia Musings
When my son asked me to sew an 18th century pudding cap for for his not quite a toddler daughter, since she’s always hitting her head, I gave it my best shot.
My breeches from the Burnley and Trowbridge workshop with the Colonial Williamsburg tailors, Mark Hutter and Neal Hurst are finally done!
Learning that the New England laid stitch economically filled large areas while creating an interesting pattern, I got lots of practice!
When I first saw this kit at Poplar Forest, I recognized the similarity to an extant needle case I saw in Gail Marsh’s 18th Century Embroidery Techniques.
For my daughter’s new cap, I used a 100% cotton windowpane fabric remnant from my Civil War reproduction gown and my 1930s blouse.
Trying to decide between a bum roll or rump pad for my gown and stays from Burnley and Trowbridge workshops. Also finessing cause of pain with the stays.
Taking measurements off her previous lavender jacket, I then used a drafted pattern from Costume Close-Up which practically fits my daughter “as is.”
While I handsewed the gown, this fabric reminded me of pink soda-licious frothiness. Of course, all the pink works for Valentines Day!
Like inspiration hats seen at Colonial Williamsburg, I decided to poof lots of organdy ribbon at the top of the hat, through which I incorporated pearls.
Lots of finessing with massive research yielded another photo shoot today, auditioning the look of combining the bum roll with the new stays and gown.