White floral on blue robe à l’anglaise gown: Sewing Journal
When we purchased the fabric from Colonial Williamsburg’s Mary Dickenson store last March for her birthday, she wasn’t too certain of this 18th century print.
Historical Sewing and Time Travels
When we purchased the fabric from Colonial Williamsburg’s Mary Dickenson store last March for her birthday, she wasn’t too certain of this 18th century print.
After wearing the simple version of this gown at Under the Redcoat, I created embellishments to fancy up the gown for other occasions.
My son outgrew last year’s blue waistcoat with buff lining, so he requested a new blue waistcoat with white lining that he first wore a few weeks ago.
Hand sewn with linen thread, hand sewn button holes and dorset buttons, that I learned to make at the Costume Design Center in Colonial Williamsburg.
After two years of research and sewing for my kids, I finally sewed my own attire to debut atUnder the Redcoat to begin our 18th century family adventures.
I finally sewed my first 18th century gown for myself, with reproduction chintz from Colonial Williamsburg, based on a gown in their collection.
When I explained that we were guests like her, she asked where the costumes came from.
When I replied that I sewed them, exclamations of surprise sounded.
I have finally completed my 18th century chintz pocket from my class over a year ago at the Colonial Williamsburg Costume Design Center!
As much as I like this hat now, I’ve envisioned a few additions. Why not? Deconstructing and reconstructing is an 18th century period accurate thing to do!
During the Colonial Williamsburg Costume Design Center’s Open House last October, I was fitted in a muslin for one of their patterns.