Sewing a Breezy White Blouse in Embroidery of Pink
Thinking the fabric would pair well with my pale pink embroidered capri pants, I imagined its cuteness on journeys out and about with vintage flair.
Historical Sewing and Time Travels
Thinking the fabric would pair well with my pale pink embroidered capri pants, I imagined its cuteness on journeys out and about with vintage flair.
The dress drew positive attention at the Christmas party, where a guest asked me about the style, my sewing, and the rest of my historical sewing.
My breeches from the Burnley and Trowbridge workshop with the Colonial Williamsburg tailors, Mark Hutter and Neal Hurst are finally done!
As we were about to embark on a time-travel voyage to meet the French frigate l’Hermione, I set about to trim a new hat for the grand occasion.
Learning that the New England laid stitch economically filled large areas while creating an interesting pattern, I got lots of practice!
Since my daughter has been busy with college, she hadn’t yet worn the pink gown I sewed for her last year, so I joined her by wearing my matching yellow gown.
When I first saw this kit at Poplar Forest, I recognized the similarity to an extant needle case I saw in Gail Marsh’s 18th Century Embroidery Techniques.
When my daughter was frustrated by her mid-century modern assignment for her 17th-19th century literature class, I had an idea.
For my daughter’s new cap, I used a 100% cotton windowpane fabric remnant from my Civil War reproduction gown and my 1930s blouse.
Trying to decide between a bum roll or rump pad for my gown and stays from Burnley and Trowbridge workshops. Also finessing cause of pain with the stays.