1660 royal blue gown embellished with gold and pearls
My research began with the Janet Arnold Patterns of Fashion 1 for a 1660 extant gown bodice, since the petticoat and overskirt no longer exist.
Historical Sewing and Time Travels
My research began with the Janet Arnold Patterns of Fashion 1 for a 1660 extant gown bodice, since the petticoat and overskirt no longer exist.
Meeting a kindred spirit recently, this kind blog reader taught me to drape, which she promised would solve all my historical sewing woes.
Making the class more fun, tavern owners Jane Vobe, Christiana Campbell, and her daughter. Molly, also attended, while bantering tavern humor.
One of the employees thought the kids were also employees because theycarried themselves so well, she thought my son was part of the fife and drum corps.
I got to bring my 18th century sewing projects to an individual consultation with the Costume Design Center staff to ask questions. How cool is that?
Stopping under a blooming crepe myrtle, I perfectly positioned my kids for a grand photo op of them wearing their newest costumes. Apparently many others agreed!
After my kids’ pleas for historically accurate attire, I put needle to fabric while puzzling through agony, confusion, and woes.
During Drummer’s Call weekend, my daughter and I took a class with the Colonial Williamsburg Costume Design Center on trimming hats.
Our class began with the history of this passementerie, followed by gorgeous examples of fifteen intricate variations. Then we made our own fly fringe by hand!
We took an 18th century sewing class on market wallets, work bags, and pockets for the 75th anniversary of the Colonial Williamsburg Costume Design Center.