Yellow white striped robe à l’anglaise: Sewing Journal
In the manner of sewing 18th century gowns, I’m impressed with how little was cut, then draped with tucks and pleats which brought definition and beauty.
18th Century Virginia Musings
In the manner of sewing 18th century gowns, I’m impressed with how little was cut, then draped with tucks and pleats which brought definition and beauty.
Completely hand sewn, I even hand stitched as quickly as I could on the Duke of Gloucester Street in Colonial Williamsburg last spring to wear the next day.
My daughter thanked me profusely, while she daintily touched and admired it she repeated, “It’s so pretty. The colors are nice. They all go so nicely together.”
When we purchased the fabric from Colonial Williamsburg’s Mary Dickenson store last March for her birthday, she wasn’t too certain of this 18th century print.
Still grinning, he pulled out his camera and said, “Since you are waiting for your picture to be taken, I will take it for you.”
After wearing the simple version of this gown at Under the Redcoat, I created embellishments to fancy up the gown for other occasions.
After two years of research and sewing for my kids, I finally sewed my own attire to debut atUnder the Redcoat to begin our 18th century family adventures.
When I explained that we were guests like her, she asked where the costumes came from.
When I replied that I sewed them, exclamations of surprise sounded.
I have finally completed my 18th century chintz pocket from my class over a year ago at the Colonial Williamsburg Costume Design Center!
As much as I like this hat now, I’ve envisioned a few additions. Why not? Deconstructing and reconstructing is an 18th century period accurate thing to do!