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Historical Seamstress & Homeschooler

Embellishments for my Chintz Robe à l’anglaise Gown
18th Century Sewing Journal

Embellishments for my Chintz Robe à l’anglaise Gown

August 15, 2011

One of the things I love about my new 18th century gown is its versatility, in style and name.

The beginning simplicity of this Englishback gown paired with a solid linen petticoat lent itself well to my interpretation of a citizen of 1781 Williamsburg during the occupation of the British soldiers, during Under the Redcoat.

After coming home, I created embellishments to wear with the gown for other occasions, perhaps allowing it be called by its fancier name, Robe a l’anglaise.

Technically, both names reflect the pleated back of the gown, one in the English and the other in the French.

draped and handsewn Robe a la Anglaise gown with reproduction vines fabric based on gown in the collection of Colonial Williamsburg
My draped, hand sewed, and embellished18th century gown

MATCHING PETTICOAT

Using the same fabric as I did for the gown, I made another petticoat, which streamlined the look, creating a lovelier style.

RUCHED PINKED TRIM ON THE BODICE

For the bodice I used self-fabric that I pinked, then double ruched trim…all of which I learned at the Colonial Williamsburg Costume Design Center sewing classes last year.

draped and handsewn Robe a la Anglaise gown with reproduction vines fabric based on gown in the collection of Colonial Williamsburg
My draped, hand sewed, and embellished18th century gown

PLUM SILK TAFFETA BREAST KNOT FOR THE BODICE

Attached to the bodice is a plum silk taffeta bow that I created, as taught to me at the Costume Design Center.

KERCHIEF

Whereas my kerchief for my simple style for Under the Redcoat was cotton, the kerchief for the fancier style of this gown is netting.

draped and handsewn Robe a la Anglaise gown with reproduction vines fabric based on gown in the collection of Colonial Williamsburg
My draped, hand sewed, and embellished18th century gown

RUCHED SLEEVES

For the sleeves, I fashioned them into a sort of ruching, an idea I got from the Colonial Williamsburg mantua makers.

I trimmed my hat to pair with my draped and handsewn Robe a la Anglaise gown with reproduction vines fabric based on gown in the collection of Colonial Williamsburg
My draped, hand sewed, and embellished18th century gown

TRIMMED STRAW SUMMER HAT IN PLUM AND WHITE

Inspired by hats created by the Colonial Williamsburg milliners, I trimmed this hat to pair with my gown.

For the hat I trimmed a straw blank with plum taffeta ribbon paired with a checked organza, completed by a white rose.

Edging the sides is a pearl trimmed white ribbon.

I trimmed my hat to pair with my draped and handsewn Robe a la Anglaise gown with reproduction vines fabric based on gown in the collection of Colonial Williamsburg
My trimmed summer straw 18th century hat

DEBUT PLANNED FOR 18TH CENTURY FAMILY OUTING

My kids have a grand opportunity happening soon in Colonial Williamsburg, so we’re planning on a great time while all of us wear our historical attire. Stay tuned.

For more photos, check my Flickr set.

POT POURRI

  • My newly sewn gown, jacket, and hat debut in historic areaOur 18th century family in front of the Governor's Palace Kitchen at Under the Redcoat in Colonial Williamsburg
    Date
    June 30, 2011
  • Sage green silk fabric for my gown: Sewing Journalsage green silk fabric with hat and pearls
    Date
    April 6, 2011
  • White floral on blue robe à l’anglaise gown: Sewing Journalwhite floral on blue 18th century gown for my daughter
    Date
    September 26, 2011

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  • Robe a la Anglaise

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A former homeschool mom who sees the world through the lens of 18th century Virginia…and discovers Lafayette everywhere she turns.

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