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Auditioning stays, bum roll, silk gown: Sewing Journal
1770s Sewing Journey

Auditioning stays, bum roll, silk gown: Sewing Journal

September 8, 2013

In between all the busy moments of the year, unbeknownst to the blogging world, I’ve been industriously sewing my new 18th century stays and silk gown from two different Burnley and Trowbridge workshops.

With both I’ve been trying to finesse the fit, which has slowed down my confidence.

STAYS

Wearing my stays with my chintz floral spray gown for a first-person interpretation workshop and to President’s Day weekend events at Colonial Williamsburg, I experienced a mix of appreciated support for my back which gradually transforms to increasing agony near the armpit.

I’ve lost count of all the hours of fittings and finessing I’ve done to try to alleviate the pain, but my latest fitting of the stays was four days ago.

https://www.flickr.com/photos/61072334@N08/54022105796/in/album-72157627295421477/

SILK GOWN AND PETTICOAT

In other free moments I’ve been fitting my silk gown from a different Burnley and Trowbridge workshop.

Needing a proper petticoat, I pulled out my cream silk, which isn’t completely finished because I’ve been saving it for a quilted petticoat!

Not having settled on the color of cream, I’m auditioning all the options before committing.

Although I purchased enough blue slate silk for a petticoat to match the gown, I’m leaning towards using it for a pet en l’air short jacket.

BUM ROLL

Remembering the tailor’s advice to use a bum roll to kick out the skirts of my 18th century gowns, I’ve done various photo shoots combining the three elements to see if I’ve yet attained the proper look.

Numerous fittings with various gowns with the bum roll and a rump pad have achieved thumbs down from the kids.

Lots of finessing and photo shoots along with massive research and looking of pictures of how others wear these garments yielded another photo shoot today, which seems the most hopeful yet.

LATEST PHOTO SHOOT

2013-9-8_1 bum roll_gown_draped Burnley Trowbridge
Auditioning bum roll + stays + silk gown

Trying all the layers on the dress form helps me assess everything before trying everything on myself.

2013-9-8_4 bum roll_cream petticoat_blue slate striped gown_draped Burnley Trowbridge
Auditioning bum roll + stays + silk gown
2013-9-8_7 bum roll_cream petticoat_blue slate striped gown_draped Burnley Trowbridge
Auditioning bum roll + stays + silk gown
2013-9-8_8 bum roll_cream petticoat_blue slate striped gown_draped Burnley Trowbridge
Auditioning bum roll + stays + silk gown

Whether this is spot on or not, I should probably just run with it since I’ve done my best, and the foundation of the draping and beginning assembly was at the workshop.

Not sure if there is anything else I should do at this point beyond finishing it, since some angles look better than others.

For more photos, check my Flickr set.

POT POURRI

  • New gown, new stays, underpinning dilemma: Sewing JournalTrying out a rump pad with my silk gown
    Date
    June 28, 2014
  • Peacock Blue Petticoat for my Chintz Gown: Sewing JournalDancing minuet at American Revolution Becoming History Presentation
    Date
    August 12, 2012
  • Draping my gown with the Colonial Williamsburg Mantua MakerDraping my gown at the Burnley and Trowbridge Workshop
    Date
    November 5, 2012

Tags:

  • sewing 1700s for ladies
  • ,
  • underpinnings

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A former homeschool mom who sees the world through the lens of 18th century Virginia…and discovers Lafayette everywhere she turns.

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